Showing Records: 47321 - 47340 of 47450
"You got your lipstick colored crazy …” (loose pages)
Series II, “Lyrics for Singles, Unrecorded Songs, and Unidentified Songs,” contains 94 folders of lyrics for released as singles or that have yet to be recorded or released. Songs are separated into their own folders, and labeled either by song title (if known) or by a key phrase or line that either “opens” the song or appear to be thematically significant.
You Have the Right to Write: Legal Issues Surrounding Writers' Rights, 1996
"You know my name …” (loose pages)
Series II, “Lyrics for Singles, Unrecorded Songs, and Unidentified Songs,” contains 94 folders of lyrics for released as singles or that have yet to be recorded or released. Songs are separated into their own folders, and labeled either by song title (if known) or by a key phrase or line that either “opens” the song or appear to be thematically significant.
You Like to Give and Watch Me My Pleasure,” 1 typed page, no corrections, August 16, 1992
The bulk of the material for Loose Woman are the poems, arranged alphabetically. Many were originally housed in a folder titled “complete book.” Additional material includes proofs from Knopf, promotional displays, and Spanish translations by Paloma Zozaya and Marilar Aleixandre.
You May Be a Winner Already!, 2000
A solid way of kick-starting your screenwriting career is to win a competition or receive a fellowship. Both kinds of recognition peak industry interest and provide much-needed monetary support for the serious, full-time writer. Our panel of competition directors and former winners reveal the secrets of past successes. Two sides of audiocassette tape, about 103 minutes total.
You May Be a Winner Already!, Part 1
You May Be a Winner Already!, Part 2
“You never know when it all comes down …” (loose pages)
Series II, “Lyrics for Singles, Unrecorded Songs, and Unidentified Songs,” contains 94 folders of lyrics for released as singles or that have yet to be recorded or released. Songs are separated into their own folders, and labeled either by song title (if known) or by a key phrase or line that either “opens” the song or appear to be thematically significant.
“You Ought To,” 1 print out page, with reader Comments, November 11, 2011
Later Poems span 1985-2014 and did not come in any original order. They are arranged alphabetically. Most poems are single drafts, but or insight into Cisneros’ revision process, there are eight progressive drafts of the 1995 poem “Morning After Tango.”
“You, Theodore Roethke”; Typescript copies, annotated typescript and holograph drafts of poem
You, Too, Know Someone in Hollywood: Getting Into the Business Through the Back Door, 1997
You, Too, Know Someone in Hollywood: Getting Into the Business Through the Back Door, Audio, Part 1
You, Too, Know Someone in Hollywood: Getting Into the Business Through the Back Door, Audio, Part 2
“You used to be pretty…”
You Want Me to Put What Where? The Development Process: Rewriting for Others, 1999
Somebody else owns your baby and now they're telling you what to feed it, what clothes it should wear, and what language it should speak. Listen to writers talk about the development process, getting and responding to producer's and director's notes, and how to maintain creative ownership of your material.
1 audiocassette, sides A and B.
“You’d a Thought (Leonard Cohen Must Die)” (loose pages)
Young, Faron – 1 photograph
Additions to the John T. Davis Accessions include his extensive subject files, arranged alphabetically by artist. Contents vary, but typically include promotional photographs, Davis’ writings and interview notes, press releases, newspaper clippings, and other ephemera. Not everything in the folders is listed below, but when they exist, photos, interviews, and select items are noted. Folders titles are Davis’.
Young Filmmaker Program Pitch Session, 2008
Young Filmmakers Panel, 2007
Young Filmmakers Panel, 2005
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